Review - Sayonara

Sayonara: Android-Human Theatre,

Presented by Arts Centre Melbourne

Produced by Osaka University, ATR Hiroshi Ishiguro Laboratory, Agora Planning LTD, Seinendan Theatre Company

Fairfax

6.30pm August 24

2pm and 5pm August 25

This hour long performance and discussion is something I will never forget. Sayonara is a fascinating cultural exchange and perplexing investigation of the potential of robot androids.  And for this Melbourne can be very thankful to the Kenneth Myer Theatre Endowment Fund.

It has to be said that Sayonara is not great theatre.  It is not actually designed to ‘move the audience’ as pointed out by Writer Director Oriza Hirata in the program.   The first scene is of a young woman who is terminally ill interacting with an Android (Geminoid) that/who is comforting her with the recitation of poetry.  The atmosphere is of intimacy and the environment could be a therapist’s consulting room.  Unfortunately the actor (Bryerly Long) is difficult to see and hard to hear due to the way she is positioned in relation to the robot.  (I don’t think I have ever experiences such a silent auditorium.)

There is a second scene where a young man (Tadashi Kaizu) discusses with the robot the intention to send her into a contaminated area. I assume to work with living people who have become untouchable.  Then he picks up the Android and there can be no doubt that she/it is an object and not a person.

What follows is a discussion mediated by Marita Cheng with the Writer Director Oriza Hirata and Technical Advisor Hiroshi Ishiguro.

All in all, this - event was little confusing, a lot disconcerting and not very respectful of actors, but, extremely interesting and challenging!

Suzanne Sandow

For Stage Whispers