All This Living
Written and
performed by Camilla Blunden
Director –
Rochelle Whyte
Sound Designer –
Kimmo Vennonen
Lighting Design –
Gillian Schwab
Dramaturg – Peter
Matheson
Stage
Manager/Operator – Lea Collins
All this Living is a complex rich work that touches on the difficult
subject of aging. It is particularly
relevant to the older woman. Full marks
to Camilla Blunden for engaging with focus groups of older women to bring their
experience and voices out into the light through this very personal medium of a
one-woman performance. All this Living is a fabulous vehicle to
open up the subject area and broaden awareness with divergent audiences. It is nothing if not worthy.
Ms. Blunden is an
excellent performer she is attractive, clear and engaging and thoroughly
committed to her very pertinent well written material. Her incorporation of Myth and Legend weaves
in a deeper and richer more universal relevance to the personal.
The Butterfly Club,
as fantastic atmospheric venue, doesn’t seem to be the right fit for this work
or Ms. Blunden’s target audience. A torn
red velvet curtain is a very limited backdrop – literally.
It feels like a ‘work
in progress’ that would generate better understandings and broaden perspectives
on female aging through audience discussion and questions. It does not feel like a finished polished
piece of Theatre that fully serves the material or indeed Ms. Blunden.
The use of voice
over is a clever device and mostly successful, I would imagine in particularly
keeping the work on track. But it got me
wondering how the material would develop and grow through the incorporation of
another performer.
The staging could
be much more supportive of the performer.
A stage scattered with saucepans, calico cloths, a pen and notepad just
looks cluttered and messy and at times renders movement ungainly. As for the Kangaroo suit costume its intended
semiotic meaning completely evaded me.
However this could be my fault as I arrived slightly late.
I imagine All this Living works as a touring piece
for Health and Community Centres and possibly even Schools. But it would pack a much stronger and
worthwhile punch if it was refreshed and renewed with crisp, clear and defined
direction and a more consolidated design.
It is a bit like
an old still very serviceable couch that urgently needs to be overhauled and
re-upholstered. It would be wonderful if
the whole creative team could get back together to remake the somewhat battered
staging.
Suzanne Sandow
(For Stage Whispers)
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