Showing posts with label Beth Buchanan. Show all posts
Showing posts with label Beth Buchanan. Show all posts

Thursday, 31 May 2018

Review - Unknown Neighbours

Theatre Works and Festival of Live Art Present

UNKNOWN NEIGHBOURS

By Ranters Theatre and Creative VaQi

Created by
Beth Buchanan                 Performer
Adriano Cortese               Co-Director
Da-Huim Kim                    Performer
Kyung-Sung Lee               Co Director
Deborah Leiser-Moore   Performer
Kyung-Min Na                   Performer
Soo-Yeon Sung                  Performer

Theatre Works 12 – 18 March 2018

Site-specific work can be a bit hit and miss.  Unknown Neighbours is a hit not to be missed!  No seriously - this is a rich and rewarding collaboration between Ranters Theatre and Creative VaQi from Korea for the FOLA (Festival of Living Art).  And the season is only a few days!

As an organic cultural exchange that was first performed in Seoul, Unknown Neighbours is, and is destined to be, much more then the sum of its parts.  It is a collaboration between Theatre makers from Eastern and Western communities with differences in language, community structures, religion and styles of theatre making and an inimitable offering. 

On any single visit each audience member gets to see one main piece of the four or five unique sight-specific installations, but most significantly, acquires a rich sense of the connections and rewards of this intercultural collaboration.

On opening night I went to the house that was occupied by Beth Buchanan and her investigation into, and expression of, separation.  This intense and affecting work conjures the visceral reality of what, individuals dissolving relationships can experience.  Eventually, it, very satisfyingly, morphs into a philosophical contemplation on romantic and lasting relationships, home and aloneness.  Ms. Buchanan is beautifully in control of her material and environment and communicates with her audience with great integrity.

I can only speak for this particular experience however - as an indication of the gravitas of the work on offer any of the individual works would be worth caching.  I don’t know how the bookings are decided - it may just be the luck of the draw – ‘pot luck.’  (Check with Theatre Works on this.)

A brisk walk follows the engagement with the various housed performance installations, to a park area where all performers and audience meet amongst locals and general vibrant everyday goings on.  Here the intended focus seems more general and elicits a sense of community.   Our next stop is the wonderful atmospheric and unsettlingly enhanced environment of the very old Christ Church St Kilda - next to the once Parish Hall - Theatre Works.  Here idiosyncratically East meets West with an unearthly sense of magic as Korean bells chime in a traditional church space and we move in an unconventional way throughout the area.

Finally five performers share something of their experience of involvement with aspects of the work and we are taken on a, galvanizing, projected video of the surrounding suburb and out to the bay.

A unique and very special adventure that I can’t recommend highly enough.


Suzanne Sandow
(For Stage Whispers)

Thursday, 29 June 2017

Review - Passenger

The Arts Centre Melbourne and Footscray Community Arts Centre Present

PASSENGER

A Production by Jessica Wilson

Devised by Jessica Wilson, Ian Pidd and Nicola Gunn
Text by Nicola Gunn
Directed by Ian Pidd and Jessica Wilson
Composition by Tom Fitzgerald
Conceptual and Devising Contributions by Bec Reid Jeff Blake and the performers

Performers
Woman on bus – Beth Buchanan
Man on bus – Jim Russel
Cowboy – Neil Thomas
Horse rider – Jamie Crichton

March 23 to 26 – 2017 - several journeys a day leaving from Footscray Arts Centre

Marvelously Melbourne Arts Centre has teamed up with the Footscray Arts Centre to get passenger realized.  It is unique and intriguing endeavor.

It is usually almost impossible to get to see mobile work like this presented in a bus - as seats are limited.  I was delighted to be able to catch this immersive performance.

As a bus journey that started at dusk it was designed to be a filmic experience, with a great sound track (Tom Fitzgerald), as such it is quite magic.   Created, written and designed by several of our most prolific community based/community responsive theatre makers.  Passenger looks at some of our social inequities through the interaction of characters on the bus in the relation to the environment we are passing through.

When the man on the bus (Jim Russel) starts talking to seemingly sympathetic female character (Beth Buchanan) about the tricky family situation he is in - it is very moving.  This suggests that throughout  the journey he will tap into and open out his emotional world to us.  But then is rhetoric becomes less and less personal and we sense he is just a cog in a wheel, making strong political points.  However I was left thinking a string of lost opportunities for the audience to be moved and feel empathetic towards this character who is really powerlessly caught in a destructive cycle.  

As a challenging revelation of selfishness, greed and disempowerment this work that has the potential to enlighten through pathos.  I don’t understand why Passenger doesn’t attempt to do that.

Although what is intentionally staged for the audience is quirky and strong it is perhaps a little thin.  The way ‘the tables turn between the characters, is unexpected and surprising.’ 

Over all for me despite the very strong acting by Russel and Buchanan - in this instance less is just not more. 

Finally at the risk of sounding contradictory despite my disappointed response I did enjoy the evening and am very glad that I was able to catch Passenger.





Note:  I was sent as a reviewer by Stage Whispers.  On this occasion I didn’t send this material on to the magazine to be published.   I felt that I had to work pretty hard as audience and would have liked more links with the world outside the bus that I was observing throughout.